I was pleased to be asked to illustrate a new book cover for a retelling of Wuthering Heights to coincide with the new film adaptation. Unfortunately my design wasn’t used but I had fun working this up to finals!
Book Cover Design: Into the Midnight Wood
Happy publication day to Into the Midnight Wood by @anmccollumbooks, published in the UK by @vikingbooksuk and by @duttonbooks in the US!
I had the pleasure of designing and illustrating this book cover last year, and as usual, I tried to include lots of hints from the story.
Thanks to @mendolaartists and @theartworks_inc!
Book Cover Design: The Moon and Stars
I had a lot of fun designing and illustrating the cover for Jenna Warren’s debut novel, The Moon and Stars, published in October by Fairlight Books.
I was commissioned by Rebecca Blackmore-Dawes at Fairlight to create a cover that would capture the love of drama and musicals depicted beautifully within the novel, along with the iconic old theatre setting, decorated with celestial imagery. The story features a strong nod to The Phantom of the Opera.
The Moon and Stars is published 20th October and available to pre-order here. Thanks to my agents at The Artworks!
The Little Mermaid Creative Process
As we continue to be under lockdown due to the Coronavirus crisis, we might not be able to visit any bookshops in person but the paperback edition of The Little Mermaid was published just last week, so I thought I’d share some behind the scenes sneak peeks of my illustration process.
The Little Mermaid is rewritten by the wonderful Geraldine McCaughrean, based on the original tale by Hans Christian Andersen and published by Orchard Books. With design by the fantastic Sarah Malley.
The Cover
The very first thing I set about doing was deciding what our protagonist, the Little Mermaid would actually look like. I was excited to be able to draw lots of swirling hair and to create lots of fish scale details for her tail- one of my favourite things is adding lots and lots of detailing. I also started to create her underwater sea palace and coral reef setting.
I tend to sketch some things in pencil and then move on to drawing digitally in Adobe Illustrator using a Wacom tablet. I draw a very rough shape before working back in to this to add more detail. I’ll draw all of the elements; characters and background scenery and then start playing around with layering them, figuring out what works best.
Once I was happy with her general look, I redrew her to fit the cover better, and started to try to frame the title with seaweed. I sketched out a basic seaweed shape, drew this digitally and then thickened the seaweed up, trying to make it look more organic. I then filled the rest of the cover with decorative coral, shells and bubbles.
Cover work inprogress
Cover sketch, more work in progress and final cover
Inside the book
Here are a few initial sketches and progress images from the interior illustrations, all the way up to final artwork.
Sketch and work in progress
Final illustration
Sketch and work in progress
Final illustration
Sketch and work in progress
Final illustration
Thanks for reading! You can see more of my books and other work at https://www.laurabarrett.co.uk/books.
